The familiar, in unfamiliar color.
An original pop-art painting that reimagines a familiar spin bike as a bold, contemporary object. Rendered in saturated reds with graphic linework, halftone texture, and painterly detail, the piece balances polish and personality. Recognizable but reinterpreted, it’s designed to feel energetic, modern, and at home in real spaces—from studios to offices to home gyms.
Acrylic on wood panel. 18 × 12 × 1.5. Ready to hang.
This painting depicts a single institutional chair - usually brown on brown. Imagine it were in pink. Floating yet fixed, it carries the quiet authority of spaces built to last — places where decisions outlive the people who make them.
Painted in a restrained palette with softened color, the chair becomes both familiar and abstracted: recognizable, but removed from function. It is less about who sits there than what remains when no one does.
This work is part of an ongoing series exploring iconic American objects — forms that hold power quietly, through presence rather than symbolism.
Original acrylic painting
16 × 20 inches
Unstretched canvas
Ships flat, ready for framing or mounting
Not framed
A familiar American object, reduced to shape and color.
This front-facing Bronco is painted in bold, unapologetic hues against a playful pink ground—equal parts nostalgia, design, and quiet humor. Like much of my work, it’s less about the vehicle itself than the feelings we project onto it: freedom, reliability, and the stories we attach to everyday things.
Painted in acrylic on a cradled wood panel, with visible brushwork and a deliberately simplified form.
• Acrylic on wood panel
• 18 × 12 × 1.5 inches
• Signed on back
• Ready to hang
This original set of four small paintings nods to several major tournaments from tennis’s Open Era, while quietly recalling the days of the Virginia Slims Open. The canvases use simplified forms and unexpected color relationships rather than literal detail. Together, the works function as both individual objects and a single composition, where familiarity, nostalgia, and modern abstraction intersect.
A study of a familiar object, painted with layered greens and subtle shifts in light. The visible brushwork and wood panel surface keep the piece grounded and tactile—meant to feel at home on the wall, not precious.
• Acrylic on wood panel
• 12 × 12 × 3/4 inches
• Signed on back
• Ready to hang
(Dog not included. He was just being silly and jumped in the shot. Beats a penny for size reference.)
An expressive portrait of Francis Perkins. American workers-rights advocate who became United States Secretary of Labor. We only know her in black and white, but I think this is what she’d look like in color.
Acrylic on stretched canvas. 20 × 20 × 1.5.
Unframed
An expressive portrait of Francis Perkins. American workers-rights advocate who became United States Secretary of Labor. We only know her in black and white, but I think this is what she’d look like in color.
Acrylic on stretched canvas. 20 × 20 × 1.5.
Unframed